b99 S5E20

Dec. 31st, 2018 03:40 pm
sciatrix: A thumbnail from an Escher print, black and white, of a dragon with its tail in its mouth, wing outstretched behind. (Default)
I've been rewatching Brooklyn Nine-Nine, in part because my beloved baby sister recently agreed to watch it with me, and running through this ep...

God, they literally just had an episode wherein a precinct member is involved in a dangerous situation, everyone is Very Concerned and forbidden to turn up and help, and a senior man just asked a junior man to do the emotional labor of supporting his squadmates in their worry instead of breaking orders to go in guns blazing like he wanted to,

and he chose to listen and successfully got people to talk to him and did the emotional supportive work! And literally none of the show's women had to be involved in any way!

I just. I love this show so much.
sciatrix: A thumbnail from an Escher print, black and white, of a dragon with its tail in its mouth, wing outstretched behind. (Default)
One thing I fucking love about Holt is that the portrayal of an older, well-established gay man is absolutely pitch perfect, in the sense that–he is neither a one-dimensional Activist Who Cares About Nothing But His Community nor the other trap that middle-aged gay men tend to fall into on mainstream comedy, going “eh, fuck it, I got mine” and joking about fleeing the city for Pride and being faintly embarrassed by activism. Holt’s not a professional activist–he’s got his career and that’s his priority–but he also clearly cares about his community, and tbh as someone who has done the whole founding something because no one else cared enough to do it and then being challenged by someone who has better ideas for the organization… well, his response to the whole AAGLNYCPA thing is 100% on point. Fuck. I have so many feelings about him.

tucked under a cut so as to not take up TOO much room )

I think that’s a huge strength of the show, and one that ought to be replicated more often: if you’re having a character stand in for one marginalized experience in your writing, make an effort to bring in a second character occupying a similar experience to play off of them with. Just one, and nothing you do with the character can escape the notion that you’re making a commentary on stereotypes or the dialogue between stereotyping and personhood and reality. But if you have two, you immediately can point to the places where their personalities respond to the expectations around them differently, and surprise: there’s a fully realized, human pair of characters that suddenly feel 100% more human and deeply realized than otherwise.

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sciatrix: A thumbnail from an Escher print, black and white, of a dragon with its tail in its mouth, wing outstretched behind. (Default)
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